ANCIENT SOLFEGGIO FREQUENCIES AND 432hz
There has been quite a lot of debate about tha discovery or rediscovery of ancient practices utilizing particular frequencies that may in tha near future replace or at least provide a strong alternative to tha 12 notes we are generally using in contemporary times. We have actually only been using what we call the chromatic scale in tha Occident for about 200 years. Before that we used just intonation and even before that probably for thousands of years tha scale we now refer to as tha Pythagorean Scale was used although mostly in secret. Sacred music of the early Christians used primarily tha Pythagorean Scale.They learned it through tha Tonal Secrets of tha Temple of Solomon as passed on to Pythagoras by tha Essenes. The Pythagoreans, because of an ongoing threat of musical persecution kept their secrets for generations after he died. Plato was able to recover some of tha sonic history yet distorted and mixed with the current microtonal/practices of the common theoretical teachings of the day. However, I believe the Essenes as well as Pythagoras in Croton, Italy, affected the early Christians by passing on the Pythagorean Rainbow Modes as were consequently used prolifically in the sacred music of early Rome.The pure 3/2 generated scale became the standard until the use of just intonation.
Very few people know that Just Intonation was forcefully propagated by Pope Gregory in the 10th century. Just Intonation is an ancient hauntingly beautiful group of modes. Yet it is removed from the perfect yin/yang spiral of the Pythagorean Rainbow Modes by utilizing the number 5 (as well as 3) as a source harmonic.
Creation itself (The Trinity or Triad of Creation) is not generated in a linear fashion by utilizing tha musical interval 5/4. The Triad is simply 1,2,and 3 or the Tao,Yin, and Yang. Understanding this today is very difficult because of the obviously beautiful sounds created by the Gregorian Chants and other subsequent music using just intonation. It is especially beautiful to us today because it is much more in tune than our currently used equal tempered system which denies the natural harmonics completely. Just intonation music is naturally harmonic music and follows the natural harmonic series however it cannot provoke acension , profound healing, and DNA reactivation as do tha Pythagorean Rainbow Modes.The Church knew this and at that point in history we almost lost tha true sacred Pythagorean Rainbow Modes. By utilizing tha linear 5/4 interval Pope Gregory knowingly broke the Solomonic Triniy Codes. Solomon, tha Essenes, tha Pythagoreans, and the first true Christians used 3 limit music as Ascension Codes.
Pope Gregory instigated 5 limit music to be utilized only as an aid to worship.
So in the 10th century AD the Pythagorean scale was then considered by Pope Gregory to be Pagan and of Satan and was officially and effectively outlawed by tha Church. Although punishable by death some very brave musicans kept tha Pythagorean Rainbow Modes alive until they finally resurfaced again historically by an important and esoteric Christian movement in Avignon France from the 12th to 15th century resulting in their breakaway from the Roman Church.They elected their own French line of Popes in defiance of Rome.
Yet again there was a political re-takeover by Rome. In the 15th century this resulted in the Church again condemning the Pythagorean Scale along with tha mysterious Ancient Solfeggio Frequencies recently rediscovered in modern times by Dr. Joseph Pulio and revealed in several books by Dr. Leonard Horowitz and now hailed by tha Love Frequency 528 hz movement today. It is my strong feeling that tha legendary 152 missing pieces of solfeggio music cited by Horowitz pertain to the Vatican violating intentionally an unbroken continued lineage of sacred healing music secretly carried on by adepts since even before and including Pythagoras: tuning their principal tonic notes (of the Pythagorean Rainbow Modes) to one of tha Ancient Solfeggio Frequencies. Each of the Solfeggio Frequencies (expanded in contemporary times to 9 from tha original 6 Frequencies) have an intention to be used by tha composer or improviser in a transcendent and healing manner:
174 hz - Foundation Frequency
285 hz - Quantum Cognition
396 hz - Removing Fear and Guilt
417 Hz – Breaking up Crystallized Emotional Patterns. Erasing Karma and Undoing Incorrect Situations.
528 Hz – Love Frequency DNA Integrity and Repair. Divine Miracles
639 Hz – Whole Brain Quadrant Interconnectedness. Connecting and Healing Relationships.
741 Hz – Intuitive States & Non-Linear Knowing. Awakening Intuition.
852 Hz – Pure love: Unconditional Love and Returning to tha Spiritual Order.
963 hz - Angelic Communication
I have done ongoing extensive research tuning my Pythagorean Harps for years utilizing tha Ancient Solfeggio Frequencies (each one used as a tonic note in order to create tha Pythagorean Rainbow Modes).Tha music I create is based on tha intentions of tha Ancient Solfeggio Frecuencies and their modal "cousins" as constructed by perfect Pythagorean fifths and fourths.I highly recommend their use to all of my students of tha Kanon. In depth study of tha Solfeggio Frequencies exposes a list of interesting profound sonic relationships. One example reveals that certain of tha Solfeggio Frequencies are in exact Pythagorean 4/3 ratios. 396 hz relating to tha emancipation of Fear and Guilt is exactly 3/4 to tha famous 528 hz Divine Miracles and Genetic Repair. So for example when tuned precisely both frequencies are compatible simultaneously using 2 different Rainbow Modes. A very powerful tool.
Another important ancient frequency that has come to play in modern times is the 432 hz frequency. Modern science tells us that it is related to the frequency of electromagnetism in the ionosphere and of the earth itself (discovered during the experiments of Nicola Tesla). Our alpha waves are related to 432hz. It is also one of the numbers on the 3 Limit Pythagorean Lambdona. I and others have tuned the Pythagorean Harps to that frequency with astonishing results. There have been recent studies confirming their use in the construction of sonic chambers of many Pyramids and ancient temples worldwide aligned to this frecuency as well as to 111 hz . 111 utilizing tha Law of Octaves we have the tone A at 444hz or C at 528hz!
Yet another important scientific discovery which aligns with Pythagoras reflects a complete treatise on Planetary Frequencies discovered and compiled by Hans Cousto. In tha near future I plan to tune my Kanons to these frequencies!
I am certain tha Pythagoreans, Tibetans, Egyptians, Mayans, Atlanteans, Pleiades, Arcturians,and many others know of these musical frequencies and possibly many others that will be revealed to us or rediscovered in time.
I am not of tha opinion that we should only tune to 432hz or only to tha standard 440hz, or only tha love frequency 528hz. And for that matter I am not of tha opinion that we should all play only tha Pythagorean Scale on a Pythagorean Harp. For thousands of years we have been controlled by what frequencies we have been allowed access.
Let us begin anew by revealing this new/ancient knowledge and by simply acknowledging this opportunity as a gift.
There has been quite a lot of debate about tha discovery or rediscovery of ancient practices utilizing particular frequencies that may in tha near future replace or at least provide a strong alternative to tha 12 notes we are generally using in contemporary times. We have actually only been using what we call the chromatic scale in tha Occident for about 200 years. Before that we used just intonation and even before that probably for thousands of years tha scale we now refer to as tha Pythagorean Scale was used although mostly in secret. Sacred music of the early Christians used primarily tha Pythagorean Scale.They learned it through tha Tonal Secrets of tha Temple of Solomon as passed on to Pythagoras by tha Essenes. The Pythagoreans, because of an ongoing threat of musical persecution kept their secrets for generations after he died. Plato was able to recover some of tha sonic history yet distorted and mixed with the current microtonal/practices of the common theoretical teachings of the day. However, I believe the Essenes as well as Pythagoras in Croton, Italy, affected the early Christians by passing on the Pythagorean Rainbow Modes as were consequently used prolifically in the sacred music of early Rome.The pure 3/2 generated scale became the standard until the use of just intonation.
Very few people know that Just Intonation was forcefully propagated by Pope Gregory in the 10th century. Just Intonation is an ancient hauntingly beautiful group of modes. Yet it is removed from the perfect yin/yang spiral of the Pythagorean Rainbow Modes by utilizing the number 5 (as well as 3) as a source harmonic.
Creation itself (The Trinity or Triad of Creation) is not generated in a linear fashion by utilizing tha musical interval 5/4. The Triad is simply 1,2,and 3 or the Tao,Yin, and Yang. Understanding this today is very difficult because of the obviously beautiful sounds created by the Gregorian Chants and other subsequent music using just intonation. It is especially beautiful to us today because it is much more in tune than our currently used equal tempered system which denies the natural harmonics completely. Just intonation music is naturally harmonic music and follows the natural harmonic series however it cannot provoke acension , profound healing, and DNA reactivation as do tha Pythagorean Rainbow Modes.The Church knew this and at that point in history we almost lost tha true sacred Pythagorean Rainbow Modes. By utilizing tha linear 5/4 interval Pope Gregory knowingly broke the Solomonic Triniy Codes. Solomon, tha Essenes, tha Pythagoreans, and the first true Christians used 3 limit music as Ascension Codes.
Pope Gregory instigated 5 limit music to be utilized only as an aid to worship.
So in the 10th century AD the Pythagorean scale was then considered by Pope Gregory to be Pagan and of Satan and was officially and effectively outlawed by tha Church. Although punishable by death some very brave musicans kept tha Pythagorean Rainbow Modes alive until they finally resurfaced again historically by an important and esoteric Christian movement in Avignon France from the 12th to 15th century resulting in their breakaway from the Roman Church.They elected their own French line of Popes in defiance of Rome.
Yet again there was a political re-takeover by Rome. In the 15th century this resulted in the Church again condemning the Pythagorean Scale along with tha mysterious Ancient Solfeggio Frequencies recently rediscovered in modern times by Dr. Joseph Pulio and revealed in several books by Dr. Leonard Horowitz and now hailed by tha Love Frequency 528 hz movement today. It is my strong feeling that tha legendary 152 missing pieces of solfeggio music cited by Horowitz pertain to the Vatican violating intentionally an unbroken continued lineage of sacred healing music secretly carried on by adepts since even before and including Pythagoras: tuning their principal tonic notes (of the Pythagorean Rainbow Modes) to one of tha Ancient Solfeggio Frequencies. Each of the Solfeggio Frequencies (expanded in contemporary times to 9 from tha original 6 Frequencies) have an intention to be used by tha composer or improviser in a transcendent and healing manner:
174 hz - Foundation Frequency
285 hz - Quantum Cognition
396 hz - Removing Fear and Guilt
417 Hz – Breaking up Crystallized Emotional Patterns. Erasing Karma and Undoing Incorrect Situations.
528 Hz – Love Frequency DNA Integrity and Repair. Divine Miracles
639 Hz – Whole Brain Quadrant Interconnectedness. Connecting and Healing Relationships.
741 Hz – Intuitive States & Non-Linear Knowing. Awakening Intuition.
852 Hz – Pure love: Unconditional Love and Returning to tha Spiritual Order.
963 hz - Angelic Communication
I have done ongoing extensive research tuning my Pythagorean Harps for years utilizing tha Ancient Solfeggio Frequencies (each one used as a tonic note in order to create tha Pythagorean Rainbow Modes).Tha music I create is based on tha intentions of tha Ancient Solfeggio Frecuencies and their modal "cousins" as constructed by perfect Pythagorean fifths and fourths.I highly recommend their use to all of my students of tha Kanon. In depth study of tha Solfeggio Frequencies exposes a list of interesting profound sonic relationships. One example reveals that certain of tha Solfeggio Frequencies are in exact Pythagorean 4/3 ratios. 396 hz relating to tha emancipation of Fear and Guilt is exactly 3/4 to tha famous 528 hz Divine Miracles and Genetic Repair. So for example when tuned precisely both frequencies are compatible simultaneously using 2 different Rainbow Modes. A very powerful tool.
Another important ancient frequency that has come to play in modern times is the 432 hz frequency. Modern science tells us that it is related to the frequency of electromagnetism in the ionosphere and of the earth itself (discovered during the experiments of Nicola Tesla). Our alpha waves are related to 432hz. It is also one of the numbers on the 3 Limit Pythagorean Lambdona. I and others have tuned the Pythagorean Harps to that frequency with astonishing results. There have been recent studies confirming their use in the construction of sonic chambers of many Pyramids and ancient temples worldwide aligned to this frecuency as well as to 111 hz . 111 utilizing tha Law of Octaves we have the tone A at 444hz or C at 528hz!
Yet another important scientific discovery which aligns with Pythagoras reflects a complete treatise on Planetary Frequencies discovered and compiled by Hans Cousto. In tha near future I plan to tune my Kanons to these frequencies!
I am certain tha Pythagoreans, Tibetans, Egyptians, Mayans, Atlanteans, Pleiades, Arcturians,and many others know of these musical frequencies and possibly many others that will be revealed to us or rediscovered in time.
I am not of tha opinion that we should only tune to 432hz or only to tha standard 440hz, or only tha love frequency 528hz. And for that matter I am not of tha opinion that we should all play only tha Pythagorean Scale on a Pythagorean Harp. For thousands of years we have been controlled by what frequencies we have been allowed access.
Let us begin anew by revealing this new/ancient knowledge and by simply acknowledging this opportunity as a gift.